In conversation with Michelle Horton and Genevieve Kingston, moderated by Carol Fitzgerald, at St. Peter’s Episcopal Church, 2:30 pm to 3:20 pm
About the author
Tracy O’Neill is the author of the memoir Woman of Interest. Her novels include The Hopeful, one of Electric Literature’s Best Novels of 2015; and Quotients, a New York Times New & Noteworthy Book, TOR Editor’s Choice, & Literary Hub Favorite Book of 2020. In 2015, she was named a National Book Foundation 5 Under 35 honoree and long-listed for the Center for Fiction First Novel Prize. In 2012, she was awarded the Center for Fiction’s Emerging Writers Fellowship. Her writing has appeared in Granta, The New York Times, Rolling Stone, The Atlantic, the New Yorker, LitHub, BOMB, Vol. 1 Brooklyn, The Believer, The Literarian, The Austin Chronicle, New World Writing, The Baffler, Narrative, 4Columns, Scoundrel Time, Guernica, Bookforum, Electric Literature, Grantland, Vice, The Guardian, VQR, The San Francisco Chronicle, and Catapult. She holds an MFA from the City College of New York; and an MA, an MPhil, and a PhD from Columbia University. She teaches at Vassar College.
MFOB featured book: Woman of Interest
In 2020, Tracy O’Neill began to rethink her ideas of comfort and safety. Just out of a ten-year relationship and thirtysomething, she was driven by an acute awareness that the mysterious mother she’d never met might be dying somewhere in South Korea.
After contacting a grizzled private investigator, O’Neill took his suggested homework to heart when he disappeared before the job was done, picking up the trail of clues and becoming her own hell-bent detective. Despite COVID-19, the promise of what she might discover—the possibility that her biological mother was her kind of outlaw, whose life could inspire her own—was too tempting.
Written like a mystery novel, Woman of Interest is a tale of self-discovery and fugitivity from convention that features a femme fatale of unique proportions, a former CIA operative with a criminal record, and a dogged investigator of radical connections outside the nuclear family. O’Neill gorgeously bends the detective genre to her own will as a writer, stepping out of the shadows of her own self-conception to illuminate the hopes of the woman of interest she is both chasing and becoming.
